Master Teacher Series

The Master Teacher series is part of City Ballet’s Educational Program. Committed to providing dance training of the highest caliber, City Ballet presents classes by world renown artists open to Southern California ballet students. For many this is their first and sometimes only opportunity to study with ballet stars of this stature.

Summer 2021

Daniel Ulbricht

Wed, July 28 – 6:30 to 8:30pm

Daniel Ulbricht

Daniel Ulbricht was born in St. Petersburg, Florida, and began his dance training at the age of 11 at the Judith Lee Johnson Studio of Dance, studying with Lenny Holmes. He also studied at Les Jeunes Danseurs with Javier Dubraq and attended the Chautauqua Summer Dance Program, training with Jean Pierre Bonnefoux and Patricia McBride. In 1999, Mr. Ulbricht was invited by the School of American Ballet (SAB), the official school of New York City Ballet, to continue his training during their Winter Program. As a student at SAB, Mr. Ulbricht performed with New York City Ballet as a Jester in Peter Martins’ The Sleeping Beauty. In December 2000, he became an apprentice with New York City Ballet and in November 2001 he joined the Company as a member of the corps de ballet. In January 2005, Mr. Ulbricht was promoted to the rank of soloist and principal dancer in May 2007. Mr. Ulbricht is the Creative Director of NYCB’s Family Saturdays program. Additionally, he serves as artistic advisor to Manhattan Youth Ballet and is the artistic director of the New York State Summer School for the Arts in Saratoga Springs, NY.

Ashley Bouder

Wed, Aug 4 – 6:30 to 8:30pm

Ashley Bouder was born in Carlisle, Pennsylvania, and began her ballet training at the age of six at the Central Pennsylvania Youth Ballet with Marcia Dale Weary. After attending the 1999 Summer Program at the School of American Ballet (SAB), the official school of New York City Ballet, she was invited by SAB to continue her training during the Winter Session. As a student, Ms. Bouder performed featured roles in George Balanchine’s Dances Concertantes and Stars and Stripes for the School of American Ballet’s 2000 Annual Spring Workshop. Ms. Bouder was named an apprentice with New York City Ballet in June 2000 and became a member of the corps de ballet that October. She was promoted to the rank of soloist in February 2004, and in January 2005, Ms. Bouder was promoted to principal dancer.In 2016 she wrote her autobiography that was presented at Feria del Libro in 2017, that same year also launched her own perfume “Paloma Herrera” and in 2019 “Paloma Herrera Passion” her second fragrance. In Argentina, she has been awarded: Konex de Platino, Maria Ruanova and distinctions by the Honorable Camara de Diputados de La Nación, Medalla del Bicentenario by the city government of the Buenos Aires, among many others. Since 2012 she has been a member of the gallery of popular idols of the Argentine Government House. In 2017 she became the artistic director of Ballet Estable del Teatro Colon where the company has grown immensely since her arrival.

Sarah Lane

Wed, Aug 11 – 6:30 to 8:30pm

Sarah Lane
Sarah Lane in Swan Lake. Photo: Gene Schiavone,

Born in San Francisco, California, Sarah Lane began her dance training in Memphis, Tennessee under the direction of Pat Gillispie at the Memphis Classical Ballet. When her family moved to Rochester, New York, she continued instruction with Timothy Draper and Jamey Leverett at the Draper Center for Dance Education. When Lane was 16, she received a full scholarship to the Boston Ballet’s Summer Program. In 2000 and 2001, she was awarded first place and the Capezio Class Excellence Award at the North American Ballet Festival. In 2002, Lane was a National YoungArts Foundation Winner in Dance/Ballet, and through YoungArts became a 2002 U.S. Presidential Scholar in the Arts. Lane was the Silver Medalist, the highest medal in the Junior Division, at the Jackson International Ballet Competition (2002). During the competition, she traveled to Washington, D. C. to perform at the Kennedy Center as a Presidential Scholar in the Arts. That same year, Lane also won the Bronze Medal at the Youth America Grand Prix Competition. Lane joined American Ballet Theatre’s studio company in 2002, joined the main company as an apprentice in August 2003, became a member of the Company’s corps de ballet in April 2004 and was appointed a Soloist in July 2007 and Principal Dancer in 2017. Her roles with the Company include Manon in Manon, Giselle and the peasant pas de deux in Giselle, Odette/Odile, Pas de Trois and Four Cygnets in Swan Lake, Nikiya and a Shades soloist in La Bayadère, Galya in The Bright Stream, the Fairy Spring in Frederick Ashton’s Cinderella, Blossom in James Kudelka’s Cinderella, Swanilda in Coppélia, Gulnare in Le Corsaire, Kitri, Amour and a flower girl in Don Quixote, Anne in Christopher Wheeldon’s VIII, the Flames of Paris pas de deux, Other Dances, the Two of Diamonds in Jeu de Cartes, Vera in A Month in the Country, Clara in Alexei Ratmansky’s The Nutcracker, Olga in Onegin, the Youngest Sister in Pillar of Fire, one of Juliet’s friends in Romeo and Juliet, Celestial in Shadowplay, Princess Aurora, Princess Florine, the Fairy of Charity and the Fairy of Joy in The Sleeping Beauty, the pas de deux from Stars and Stripes, the Waltz in Les Sylphides, a Goat in Sylvia, the Principal in Theme and Variations, Spectre de la Rose and roles in Bach Partita, Birthday Offering, The Brahms-Haydn Variations, Chamber Symphony, Désir, Drink To Me Only With Thine Eyes, Glow-Stop, In the Upper Room, Kaleidoscope, The Leaves Are Fading, Raymonda Divertissements, Seven Sonatas, Souvenir d’ un lieu Cher, Sinatra Suite, Some Assembly Required, Principal in Symphony in C, With A Chance of Rain, etc. She created the Chinese Dance in Alexei Ratmansky’s The Nutcracker, Miranda in The Tempest, Princess Praline in Whipped Cream, Columbine in Harlequinade, Spring Rose in Seasons and a role in Demis Volpi’s Private Light.